Not-so-Wet Wales and the Delights of Cornwall

Susan and Mom
Susan and me – Aberystwyth University.

My youngest daughter graduated in July so I escaped the dry, winter cold of Botswana for what I thought would be the wet, summer cold of Wales to attend the Graduation. It was a magical day – the countryside was beautiful and the weather glorious – so we decided to go road tripping to Land’s End! The sun shone with barely a wobble for two weeks as we punted about the south-west in a hired Chevy Spark, braving heat and humidity and Cornwall’s tourists! Of course that included us – but meeting up with Ken and Dora Howard on Sennen Beach made me feel a little less like a foreigner. Artists have been painting Cornwall forever, and having seen its beaches and harbours through Ken’s eyes for many years, it was wonderful to see them in real life! I even managed a sketch or two…..

St. Agnes Beach, Cornwall


I tried numerous studies of St. Michael’s Mount and the harbour – they did not turn out well but I have lots of photo references so I shall work on it! Mousehole harbour and the beach at Sennen were just as I imagined from Ken’s paintings and as Dora invited us for supper, we got to see St. Clement’s Studio with its interior landscape of easels and paintings – if that doesn’t inspire me nothing will!!!

Mousehole harbour with Dora Bertolutti-Howard.



Breakfast at Delis


I start my mornings with breakfast at Delis and I have been squinting at this scene for years – checking out the dark against light etc… My daily paintings were not getting done so sketching at breakfast seemed a good idea and I think I am getting it!!!

Art on safari…

I said this was the year for going back to school – more like going back to Finishing School! This last workshop with Alison Nicholls took place at The Bush House, a small, luxurious lodge in Madikwe Game Reserve. It was a perfect way for me to see and study wildlife. I am not a wildlife artist but I live in Africa and not drawing or painting animals is like never drawing from the figure – in fact figures are much easier because people shapes don’t vary as much as you would suppose. On the other hand, is there a more ridiculous animal than a giraffe? Perhaps an elephant? Or a rhino….. African animals are the weirdest shapes and they move constantly – very hard to draw!

In spite of living in Botswana for thirty years, I have rarely travelled and have seen little of the country or its wildlife. Alison Nicholls lived in Gaborone for just a few years and she and her husband seem to have spent every possible moment in the bush. This has led to a passionate involvement in conservation and a full time career as a wildlife artist in America. I, on the other hand, am very nervous around elephants and cannot sketch them while they stare back.  This is why The Bush House was perfect. Sitting on the edge of the lawn looking out at the waterhole there was a constant procession of thirsty animals. With sketchbook and paints on hand there was ample opportunity to study the forms and gestures of antelope, elephant, buffalo, baboon…. an absolute feast for the eyes!

The more I struggled with trunks and horns the more I began to appreciate Alison’s advice to always start with the body and use a basic template of circles to create the form. Knowledge of animal anatomy and habits helps enormously when you can’t quite see what is happening because the grass is obscuring something! (See post concerning zebra feet) After a few days my elephants started to look like elephants – but they are all very bad models!

The trip was organised by Africa Geographic and we spent the four nights at The Bush House in Madikwe, just over the border (and less than an hour from home for me!) Fabulously comfortable – it may not be everyone’s idea of a safari but it suited me! Good food, attentive staff and masses of animals made it a good location for the art safari and of course Alison’s knowledge and understanding of both animals AND watercolour made it a perfect painting experience too.